Sunday, March 17, 2019
Ever Heard of Chance Music? :: essays research papers
aleatory euphony (&257l&275&601tr&275) Lat. alea=dice game, melody in which elements traditionally de confinesined by the composer are determined either by a process of random selection chosen by the composer or by the exercise of choice by the performer(s). At the compositional stage, hawkes, durations, dynamics, and so forth are made functions of playing card drawings, dice throwings, or mathematical laws of kick downstairs, the latter with the likely aid of a computer. Those elements usually left to the performers discretion include the put together of execution of sections of a work, the possible exclusion of such sections, and subjective interpretation of temporal and spatial pitch relations. Also called chance music, aleatory music has been produced in abundance since 1945 by several composers, the most notable being John Cage, capital of South Dakota Boulez, and Iannis Xenakis.Aleatoric (or aleatory) music or composition, is music where some element of th e composition is left to chance. The term became known to European composers through the lectures which acoustician Werner Meyer-Eppler held at Darmstadt Summer School in the beginning of the fifties. According to his definition, "aleatoric processes are such processes which have been fixed in their outline but the details of which are left to chance".The enounce alea means "dice" in Latin, and the term has become known as referring to a chance element being applied to a express mail number of possibilities, a method employed by European composers who mat more bound than the Americans by tradition and who stressed the importance of compositional control, as opposed to indeterminacy and chance where possibilities tend not to be finite and which is an Anglo-Saxon phenomenon.The term was used by the French composer Pierre Boulez to describe work where the performer was given certain liberties with regard to the order and repetition of parts of a musical work. The te rm was intended by Boulez to distinguish his work from works composed through the application of chance operations by John Cage and his aesthetic of indeterminacy - serve indeterminate music. Other examples of aleatoric music are Klavierstck XI by Stockhausen which features a number of elements to be performed in changing sequences and characteristic sequences to be recurrent fast, producing a special kind of oscillating sound, in orchestral works of Lutoslawski and Penderecki.An early genre of composition that could be considered a precedent for aleatoric compositions were the Musikalische Wrfelspiele or Musical Dice Games, popular in the late eighteenth and early 19th century.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment